One of the most overlooked aspects of true karate training is daily
makiwara practice. Constant repetition builds power and kime.
Without kime, you do not have effective karate. When I first started
training at Takushoku University is was mandatory that we hit the
makiwara 50 times per hand. Even though this does not seem like a
high number, a senior student would place his hand two inches behind
the board and count only the punches that made the board slap into
his palm. As you can imagine, sometimes it took over 200 punches to
do 50 correctly! This practice quickly forced us to fully commit to
each punch without thinking about how many repetitions were ahead
because only the focused techniques were counted. Master Funakoshi
and Master Nakayama both hit the makiwara before and after training.
Makiwara training also develops mushin, which literally means "no
mind". If you only concentrate on the pad in front of you, your
sense of awareness is limited to the board alone. The moment you
make impact the mind, the spirit, and the body must join together and
then instantly relax, again allowing the spirit to absorb whatever is
going on around you. This total physical/spiritual contraction and
then relaxation is essential to develop the ability to defend
yourself against multiple opponents. Commit just as fully to the
completion of the technique as you commit to the execution. The mind
should be the same throughtout and only with mushin can this be
accomplished.
Technically speaking, makiwara training builds strength and power
the same way hitting the heavy bag does for a boxer. Consistent
practice has developed punches that registered close to 2000 lbs. per
square inch. This is as high as humanly possible. Training for
speed and form is not true karate training and any experienced karate
person can tell the difference between someone who hits the makiwara
and someone who does not.
The makiwara is a key tool for physical, spiritual and overall
karate development. Try it for yourself. If you break the skin,
however, stop and wrap the hand or allow it to heal first.
Text and Calligraphy by Master Okazaki